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If I had to write an लेख which one of those फिल्में is better, I know what the result would be. I consider टैंगल्ड the better movie because it has a cohesive story, better characters, better score, और impressive एनीमेशन – it just beats The Princess and the Frog in every aspect. But why is there this constant need to compare those two फिल्में in the first place? I have never seen anyone comparing any of the डिज़्नी Princess फिल्में with the one which came directly beforehand या after, unless it was for pointing out the development in animation.

I guess the reason is simple: Because all true एनीमेशन प्रशंसकों knew that the success of those फिल्में would determine in which direction the studios would go in the future. We all wanted The Princess and the Frog to succeed, because we knew that if it didn’t, it might सील, मुहर the fate of traditional animation. And a lot of people were against टैंगल्ड from the get go, because it was CGI. I think that टैंगल्ड gets a lot of flak not because the movie is truly flawed (it has its flaws, but not और than any other successful and beloved डिज़्नी Movie has), but because its success made further डिज़्नी फिल्में in traditional एनीमेशन unlikely.

People like to blame a lot of factors for The Princess and the Frog not being as successful as they wanted it to be. The marketing campaign which was mostly geared towards girls and old डिज़्नी Princess फिल्में fans. That it hit the theatres during a bad time. A so called prejudice against traditional animation. Racism (but really wouldn’t the number of people who didn’t watch it because of the black princess be balanced out द्वारा the people who watched it because they wanted to see one?). But if we are really honest to ourselves, than we have to admit that those are factors, but not really the reason. If The Princess and the Frog had been really good, it would have gotten और people in the theatres, due to mouth to mouth advertisements and glowing reviews. But the truth is that it didn’t convince the majority of the audience, while टैंगल्ड did. Yes, टैंगल्ड got the और successful marketing, and a lot of very misleading trailers which promised a swashbuckling adventure. What the audience got was और a panswinging princess movie, but it worked out nevertheless. If the audience hadn’t like this movie, they would have protested और about it being so different from what was shown in the advertising. It wouldn’t have been about “the advertising is misleading” but about “the advertising makes the movie better than it is”.

Those are two very ambitious movies. The Princess and the Frog was ambitious about telling a modern डिज़्नी Princess story – and fell short. टैंगल्ड was ambitious about reaching a new level of animation, about merging the traditional डिज़्नी aesthetic with CGI – and succeeded. Even the worst critics of टैंगल्ड admitted how good the story was – and that’s what everything comes down in the end, story and characters. आप can do a beautiful animated movie with a wonderful soundtrack and some really memorable scenes, if the story doesn’t work at least in some part, it won’t be considered a good movie द्वारा the majority of the audience (see Pocahontas). But if the very foundation of the movie, the story, holds up, the audience might not praise the movie, but it will keep it in good memory (see how beloved Robin हुड, डाकू still is, despite its numerous flaws). Sadly executives tend to look at the numbers and overlook that it’s not a matter of CGI या not, but a matter of making a good movie, no matter what kind of एनीमेशन is used.

But can we blame टैंगल्ड for that? Trying to pull this movie verbally down while at the same time defending TPatF won’t change the numbers. It won’t make the executive understand. If anything, saying the audience just didn’t appreciate TPatF enough because they overlook the great एनीमेशन and were unable to appreciate jazz (two of the most common arguments for the movie) just confirms the idea that the kind of एनीमेशन is to blame for the lack of success. The सवाल shouldn’t be if the audience didn’t appreciate what was good about TPatF (though I have to say that the praise for the एनीमेशन is a little bit much – it’s really good animation, but ALL डिज़्नी Princess फिल्में succeed in this regard), it should be why the executives didn’t combine the good aspects with a similar good plot. With proper pacing, with proper motivations for the villains, with a better focus.

Don’t get me wrong: I am sure that there are a lot of people out there, who genuinely like PatF. It’s this need to compare it with टैंगल्ड which makes me weary about the motivation behind a lot of reviewers, who have decided to tackle the फिल्में in their वीडियो या blogs. There is a certain pattern in those reviews, the और the reviewer does like traditional animation, the और he will be inclined to concentrate on the good aspects of PatF and the bad aspects of Tangled.

And, और generally speaking, it doesn’t really say much about the quality of a movie to compare one single aspect of it. Yes, we do it all the time, doing countdowns about which Princess looks better, is the better role-model, is braver and whatever else we can come up with. It is good fun, but one shouldn’t make the mistake to believe that those aspects have anything to do with the quality of a movie as a whole.

When I read “how can आप excuse Flynn’s womanizing but complaining about Naveen doing the same”, I just feel that the argument is missing the point. Because Eugene and Naveen are two entirely different characters. They have different backstories, different motivations, and there is a profound difference between stealing a crown to be alone and happy on an island, या marrying a woman for her money, a difference between striking a deal and then trying to trick the other party into backing out of the deal and making a deal with the intention to never hold up your side of it. The same way one aspect doesn’t make a movie, one trait is not the beginning and the end of a character.

When PatF was announced, I was as glad as everyone else that डिज़्नी was trying to go back to what डिज़्नी does best. And like so many people out there, I wanted this to be the success, I wanted it to be the comeback for traditional animation. It wasn’t to be. But that it didn’t happen has everything to do with PatF and nothing with टैंगल्ड या the audience. And we will all have to live with the knowledge that it might be a long time until डिज़्नी will decide to visit its roots again. Until then, we should judge every movie on its own merits.
added by fabsomma
added by Lavendergolden
added by Lavendergolden
posted by deedragongirl
 Belle's favourite colour!
Belle's favourite colour!
Hi guys, I am going to write this review on why I am related to Belle. So, here are my reasons why.

We प्यार to Read

My number one reason on why I idolised Belle because she inspired many young girls like myself to read, पढ़ना gains knowledge and it's like looking at a world through a book.

The Great Wide Somewhere

Another reason why I प्यार Belle is that I प्यार to travel around the world, we look through the world with our eyes and enjoy the diversity.

Sing Me A Story, Belle

So here are my 2 reasons on why Belle is my favourite character.
 In this small provincial town.
In this small provincial town.
added by MJ_Fan_4Life007
video
mjfan4life007
डिज़्नी प्रिन्सेस
added by Sparklefairy375
Source: disney.co.jp
added by PrincessFairy
Source: डिज़्नी
added by PrincessFairy
Source: डिज़्नी
added by deedragongirl
added by KataraLover
added by mhs1025
Source: डिज़्नी screencaps या गूगल तस्वीरें
added by mhs1025
Source: डिज़्नी screencaps
added by PrincessFairy
Moana (2016)
video
moana
डिज़्नी
2016
animated film
added by 0YouCanFly0
added by hoangdinh5x
added by PrincessFairy
Source: http://dipark-kr.tumblr.com/post/130327610534/dipark-kr-tangled-fan-art-i-see-the-light
added by sweetie-94
Source: sweetie-94
added by sweetie-94
Source: sweetie-94