Kimi no Na wa
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[REVIEW] ‘Your Name’ (Kimi no Na wa)
[REVIEW] ‘Your Name’ (Kimi no Na wa)
Kimi no Na wa
कीवर्ड्स: kimi no na wa, mitsuha, taki, makoto shinkai, comix wave films, 2016, animated film
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It seems like every year there is an anime film that scores big with Japanese audiences that I need to hunt down in the US. However, rarely does one get the kind of buzz that this year’s Your Name (Kimi no Na wa) has received. Already in Japan and China,
has made nearly $250 million US dollars and has received critical accolades like winning the Los Angeles Film Critics Association prize for best animated film. So is it worthy of the hype? Yes, my friends. Yes, it is.
so wonderful is that it sucks you in with an approachable, comedic first act we’ve seen before and then becomes something richer as it moves along. The plot revolves around a frustrated teen girl named Mitsuha who lives in the country. She is fed up with her small town life and one day wishes she could be a cool teen boy in Tokyo. Well, the next day she wakes up in the body of just such a teen boy named Taki. Mitsuha and Taki have never met before and have no connection. It’s just a random body swap which could be pleasant on its own.
However, the script in this section goes deeper. The two switch back every day which is unique in a body swap comedy, and they start leaving notes on their phones, in notepads, and even on their bodies. Through these notes they become friends which establishes friendship as a theme of the film. I liked how they explore themes of class and the difficulty of meshing with new peer groups. I think most people can relate to hanging out with another person’s friends and just not gelling with those people. They aren’t bad friends. They just aren’t your friends, and Mitsuha and Taki experience this when living the other’s life. They do have some physical comedy with the gender swap which is enjoyable, but most of the time is spent learning about how the other person lives.
All of this occurs in the first thirty minutes, and then the rest of the film takes a turn that is moving and helps to flesh out why these two people were chosen to switch places. It works so well because both Taki and Mitsuha are so likable, and we want them to be safe and happy. I don’t want to spoil anything, but the story takes creative turns that are engrossing and beautiful. It completely worked for me. Just trust me. It’s one of the best screenplays of 2016.
is a labor of love for Makoto Shinkai who did everything from the directing, writing, and editing. I loved the way he used light to symbolize hope and humanity. I also loved the way both the country and the city were portrayed as fantasy lands because to Mitsuha and Taki, they kind of are. The side characters are great, and I honestly did not know how it was all going to end.
I know some people just don’t like anime, and that’s a real shame. By limiting your experience with the art form, you are missing out on some of the greatest storytelling of this year and in most years.
which I also love, but it is its own vision and creation. It’s bold and stunning with great characters and original storytelling. If something like
? Put in the comments’ section what you thought of it, and what is one of your favorite non-Studio Ghibli anime films?
Yes! This is one of my favorite movies of the year! I even liked it better than Zootopia, everyone needs to see thus movie!
I agree. It’s in my top 5 of year ahead of Zootopia, which I also loved
I really wanna see this one!! I’ve just been hearing the greatest things about this movie and I hope the creator of this kinda does become the next new kind of Miyazaki since I heard this movie is kind of a blend of that but also really rich in embracing new tradition!! I so cannot wait to see this however I can!! ^.^
And this review really is getting me more siked!!!
Me too. It’s certainly opened my eyes to Makoto Shinkai’s talent. Now I want to see his other films
Try garden of Words. That’s my personnel favourite. It’s on Netflix together will all his work.
I thought the girl’s personality was well-established, but the boy had no personality. She wants to live in Tokyo, she likes food and cafés, she has a troubled relationship with her dad since her mom died, she feels the pressure of being the daughter of a public figure, she deals with the pressure of upholding traditions too, she’s feminine, etc. We don’t know anything about the boy except that he doesn’t mind acting out and causing a scene.
Great movie with a great story though.
Yeah I noticed the boy was a little vague too, besides his ability to draw & interest in architecture, but all the effort he puts in made up for it for me. Maybe the point was that’s how he grows.
It’s true I was really rooting for him because of all his efforts.
It’s important that, while Mitsuha realizes that she’s a bit confined to her hometown, it is Taki who’s compelled to leave Tokyo to solve the forces behind their body-switching. She finds it difficult to escape her quaint little village, while he finds it difficult to leave the relative comforts of his Tokyo life.
Yeah I can see your point. It’s more her story but I think we get to know a little bit about him through his job and when she goes on that date for him. His friends are also fairly well captured
True, we learn that he likes a girl and doesn’t dare to ask her out, so that says something about his personality too!
Other than giving some basic background I think the film’s intent isn’t to tell you the whole backdrop story of individuals. Its to tell you where they are at this moment and where they are going together. Just like real life when you meet someone new or go on a date. You don’t know the whole story going in, you figure that out along the way. And more or less the moment between the both of you is what really matters when your together.
I loved it! I thought it was definitely Makoto Shinkai’s best film. Some of his other films came off kind of indecisive to me, but this one unravels in such a purposeful way, it really felt like he figured out exactly what he wanted to say. Also the twist didn’t feel tacked on (why I usually don’t like twists), it felt really carefully worked into the plot, which I’m sure will make it fun to watch again & again. ^^
I so agree on the twist. I normally hate twists but this felt earned
Your Name is on par with the best of the Miyazaki films. Its exciting to see someone else carry the torch of Japanese animation. Not to mention the plot and animation were solid they brought something new to the animated world such as writing on the chalkboard is something new as were many other small nuances which makes you feel surreal and realistic all at the same time. Computer animation has come a long way but it still can’t replace the creative MANGA genera converted to animated film. Its an art form and experience all its own. The story lines also go deeper on multiple levels, the descriptive detail of real life capsulized into film.
I agree! It goes so much deeper than you ever expect a body swap movie to go
That’s the truth! Ironically I never thought to place the film into that genre and thankfully the film doesn’t go down that heavily traveled road.
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