Lasseter wows Cannes with Pixar, डिज़्नी footage 

By continuing to use the site you agree to our Privacy & Cookies policy

Lasseter wows Cannes with Pixar, Disney footage

John Lasseter, animation guru and Chief Creative Officer at both Pixar Animation Studios and Walt Disney Animation Studios, gave a special presentation of the companies’ upcoming slate in Cannes today.

The advancements in animation he showed during the session earned some roars of approval from the assembled press and industry guests. 

“These two studios are filmmaker-driven studios,” Lasseter said. “Our focus is on telling great stories and we celebrate the heritage of each studio. It’s exciting to be constantly breaking new ground.”

Pixar’s slate of course includes Pete Docter’s

, which premiered to rave reviews in Cannes earlier this week.

“It’s a very special movie for us,” Lasseter said. “When you look at all the films Pixar has made this could be the most important, It makes you think about your own thoughts, emotions, memories in a different way.” The film opens in France on June 17 (under the title

. “At Pixar, we ask a lot of ‘what ifs’: What if toys came to life when you left the room? What if monsters actually did live in your closet? What if a rat dreamt of being a chef? Our next movie asks the biggest ‘what if’ of all: What if the asteroid that wiped out dinosaurs actually missed earth?”

Peter Sohn directs the story of a young dinosaur (Arlo) who gets separated from his family and meets a human child (Spot) for the first time. “It’s a strong coming-of-age story. We are striving for a very unique tone, unlike any animated film every made,” Lasseter explained. “It’s pretty remarkable even for us.”

The footage that Lasseter previewed showcased amazingly realistic animation of the natural environment. “It shows a level of detail that we now have in our technology,” he says. “There is a level of believability we’re striving to get into this film…it’s not your average backdrop for an animated film.” Indeed some of the footage at first glance looked like Iive-action footage.

The film will first open on November 14 at the Grand Rex in Paris before launching globally on November 25.

story. Andrew Stanton directs and Ellen DeGeneres returns to voice Dory. Diane Keaton and Eugene Levy join the voice cast as Dory’s parents.

ended. Dory, who suffers from memory loss, has a memory of her childhood and goes in search of her family. Her journey takes her through a kelp forest along the coastline of northern California, before she enters a Marine Life Institute.

New characters she meets there include a cranky octopus, a confused whale shark, some unhelpful sea lions, crazy loons, and a “ridiculously cute sea otter”, Lasseter said. One of the technical advances in this film is with the animation of water. “The surface of water has always been a big challenge and we can do incredible water now,” he added. Footage he teased proved that point.

, which Lasseter is directing himself. “We’re at the very early stage of the film but it’s shaping up nicely. The story’s not as much a continuation but a brand new chapter in the

He added that it was a very personal project for him, and noted that November 2015 will mark

’s 20th anniversary. It was the first computer animated feature film and he said by unofficial count there are now 250 more.

has tracked the history of Pixar, of us as filmmakers and our families too,” he said. For instance, his infant son Sam had been recorded as the voice of baby Molly in the original film, and Sam is now about to graduate from college.

He said there were seen more films in development and production at Pixar, “sequels and some amazing original films.”

Lasseter noted that is was almost 10 years since he and Ed Catmull had been leading the animation at Disney. “We set out to make it a filmmaker-driven culture like it is at Pixar.

We changed the model from being executive-driven to filmmaker-driven,” he said. “It was quite broken when we came in; the morale was really low. We wanted to let them make a movie that would be a really big hit. After

, this studio is so confident now, they’re on fire.”

The Disney legacy is important. “In nine years we have focused our storytelling in a way that is classically Disney but being told for a contemporary audience…I say to every artist and filmmaker, ‘Walt Disney’s name is going to be on this film. We have to make a film that is worthy of that name.’”

presents a world filled with thousands of animals but no humans. They live in environments such as Tundra Town (every day at 3pm is a blizzard), Sahara Square, The Burrows and Little Rodentia.

seems like a utopia but it isn’t perfect,” Lasseter said. “The theme is about bias: the animals are quick to put each other in a box, to stereotype.”

Ginnifer Goodwin voices the lead character, Judy Hopps, a bunny policewoman. She meets a con artist fox, Nick Wilde (voiced by Jason Bateman).

, set for release over Christmas 2016, is inspired by the folktales and culture of the South Pacific. Lasseter noted that the Disney team had taken several inspiring research trips to Oceana for the film.

“They are deeply changed by the people they met,” Lasseter said. “You want to tell a story that really honours them.” In fact, a ‘trust’ of people from anthropologists to grandmothers to fishermen has consulted on the film.” The lead character is a tribal princess who is headstrong and musically talented, and wants to become a great navigator.

“The ocean itself is a character, it’s unlike anything you’ve seen before…the ocean is alive and it has feelings,” Lasseter said, before showing a clip finished the day before the presentation, which showed off the new water animation technology that drew the biggest cheers.

sequel, but he did give the audience a sneak peak at Pixar’s latest short,

a culture clash story from Sanjay Patel. The short will world premiere at Annecy and will be released in cinemas with

Venice to screen 3D Toy Story films, Princess & the Frog

Cannes: Women denied Palais entry for wearing flats

Cannes seeks to clarify red-carpet code after backlash

Cannes: Screen Jury Grid nearly scores a new low

Course Director in Film Distribution and Marketing (0.32 FTE)

Account Manager, Marketing Solutions Screen International

Film industry news from around the world

Screen International provides a range of effective advertising opportunities both in print and online. Our commercial team will work with you to build the most effective package for your marketing requirement.

Screen International is the essential multi-platform resource for the international film industry. A subscription now offers much greater value with full access to ScreenDaily.com, ScreenBase and Screen International magazine. Rely on us for expert news analysis, insight and data.

Screen International is the leading film industry resource covering the international film markets. We provide a whole-industry perspective from some of the most knowledgeable writers and data analysts in the business. Across print and online mediums, Screen International delivers analysis, opinion and commentary on the issues, people and products shaping the worldwide film industry.

Company number 8248880 (England & Wales)

Zetland House, 5-25 Scrutton St, London, EC2A 4HJ