हे there, Swifties.
In my पूर्व article, I talk about Taylor Swift's first song, Tim McGraw which came out in 2006 and what we could do to have her first single from 2006 played on pop stations this year.
Now, as आप may know that there will be no और country संगीत for Taylor Swift. Is that true? Well, to me, I loved Taylor तत्पर, तेज, स्विफ्ट making country music. I प्यार Taylor Swift's 3 albums from 2006-2010 which includes her सेकंड album, Fearless and my personal favorite, Speak Now. I am really anticipating to for Taylor Swift's fifth album. This will not only be Taylor Swift's first album without any country संगीत but also the first no-country album made द्वारा Big Machine Records. The problem is that Taylor तत्पर, तेज, स्विफ्ट is still marketable in the country market. But it would be cool if country market can get rid of Taylor तत्पर, तेज, स्विफ्ट allowing the pop market to add Taylor Swift. Taylor तत्पर, तेज, स्विफ्ट would be a great addition to the pop market. That's way, pop market will have the whole Taylor तत्पर, तेज, स्विफ्ट franchise to itself. Which means, pop radio can play her country संगीत (something that country प्रशंसकों prefer over her pop counterparts). Her country संगीत is perfect for संगीत listeners who never listen to country music. Let's continue.
I would like Taylor Swift's upcoming album to not have any country संगीत and goes straight pop. So I was thinking that I want her pop संगीत to go with the pop-rock route rather than just plain pop या pop-country (or country-pop). I hope Taylor Swift's pop songs will go back to the pop-rock routes and have an awesome electric गिटार sound. Let's hope Big Machine Records can make a pop संगीत label department outside of Nashville. Plus, Taylor तत्पर, तेज, स्विफ्ट would be a perfect time to tackle new genres. Yes, she needs to tackle new genres beside just country and pop. She can make a rap song, she cam make a rock song, she can make an rnb song. That would be awesome. Have Taylor तत्पर, तेज, स्विफ्ट make new non-country outputs द्वारा tackling different genres and put them on her pop albums. That way, her pop albums will not only include genres but other genres not named country too like rnb.
I went to a website called Saving Country संगीत and I just saw an लेख called Taylor तत्पर, तेज, स्विफ्ट Is Leaving Country. But Will Country Let Her? on this website. Let's take a look shall we?
Link taken from the article: link
"Welp, that’s that. Gauging from the टिप्पणियाँ made in Rolling Stone‘s current country संगीत special edition द्वारा the CEO of Big Machine Records aka the Country संगीत Antichrist Scott Borchetta, we can now put a period at the end of Taylor Swift’s pop country career. Finito. Done. End of story. Taylor Swift’s country run is in the books, and she’s now a pop तारा, स्टार exclusively.
And for the प्यार of God people, please don’t tell me she was never country to begin with. That goes without saying.
In the Rolling Stone लेख currently on newsstands, Scott Borchetta is quoted as saying that Swedish pop producer Max Martin, the man behind Taylor Swift’s last album Red‘s most pop-oriented material like “We Are Never Ever Getting Back Together” and “I Knew आप Were Trouble”, worked on “most of her” अगला album. Martin was the producer behind successful pop संगीत franchises such as The Backstreet Boys, N’Sync, and Britney Spears before being brought onto the तत्पर, तेज, स्विफ्ट team at Scott Borchetta’s behest. But Martin, along with his fellow Swedish collaborator Shellback, only worked on three of the sixteen total songs on Swift’s Red album, despite their footprint feeling much bigger because the partnership comprised the album’s two biggest singles.
Scott Borchetta says in the लेख about Swift’s new album, “Taylor प्रशंसकों are going to प्यार it. Will country stations play a complete pop song just because it’s her? No.” This quote is then reinforced in a caption under a picture of Scott Borchetta and Taylor तत्पर, तेज, स्विफ्ट together.
So much can be read into this quick statement from Borchetta. A man who is known for brevity and measuring his words, Borchetta alludes to us that there will be little, या potentially nothing about Taylor Swift’s new album, या at least the singles that will be targeted for radio, that country radio will find enticing; so much so that he predicts that a format that has moved so dramatically in a pop direction in the two years since Taylor’s last release, and especially in just the last six to nine months since a major Taylor तत्पर, तेज, स्विफ्ट single, will still be completely unwelcoming to Taylor Swift’s new material. That is how pop it is. और pop than Jerrod Nieman’s “Drink To That All Night” या Luke Bryan’s “That’s My Kind Of Night”. और pop than “We Are Never Ever Getting Back Together”. If this estimate of Taylor Swift’s new material is accurate, and if country programmers will be able to resist the urge to play Taylor to audiences as her Big Machine-backed singles blow up on चोटी, शीर्ष 40 stations, then yes, it truly is time for country to say bon voyage to Taylor.
Then Scott Borchetta tells Rolling Stone, “But when she comes to town, her फ्रेंड्स at country radio will come and see her.” This seems to allude that Borchetta and Taylor तत्पर, तेज, स्विफ्ट don’t think they even really need country radio anymore, they’re planning without it, and can trump radio politics with the strength of Taylor’s touring might. They care so little about the acceptance of Taylor’s संगीत द्वारा country, they’re downright flippant, unconcerned about it. And clearly these कोट्स are buttering up the public so when Taylor releases her first purely pop single, it doesn’t come as a complete shock. Though would it anyway, दिया her track record with Red?
There’s a couple of other interesting nuggets from the same small portion of the Rolling Stone piece talking about Taylor’s new album. Though the premise of the conversation is about how Scott Borchetta, unlike many of his संगीत Row bunk mates, actually extends quite a bit of creative latitude and freedom to his artists, it is also reinforced in the लेख that it was Borchetta’s idea to bring big pop producer Max Martin into Taylor Swift’s creative process in the first place.
“He’s allowed me to evolve on my own one साल at a time,” तत्पर, तेज, स्विफ्ट says about Borchetta to Rolling Stone, but the very अगला line in the लेख says, “But he did urge her [Taylor] to collaborate with Max Martin on her last album.”
This Max Martin decision is the arguably the most important, most defining moment in Taylor Swift’s entire career up to this point, and interestingly enough, it wasn’t instigated द्वारा her. It was Scott Borchetta that made the decision to bring Max Martin in, and the result has been a big shift from substantive songwriting with country pop flavor, to the pop-only, vapid stylings of Max Martin, bringing in dub-step and other influences completely foreign to country music, and resulting in shallow compositions like “We Are Never Ever Getting Back Together.” Of course Taylor तत्पर, तेज, स्विफ्ट is not completely innocent in this dramatic, and defining career shift, but its origination point is undoubtedly Borchetta.
The story of Scott Borchetta barging in on Taylor Swift’s creative process during the making of Red in late 2012 was chronicled द्वारा Billboard:
“I said, ‘You know, this song isn’t working yet.’ They both looked at me (Swift and Nathan Chapman) with a blank stare. ‘The chorus isn’t elevating like it needs to. Where you’re wanting to take the song, it’s not going there. It needs a Max Martin type of lift.”
… At that point Borchetta called Martin. Both Borchetta and तत्पर, तेज, स्विफ्ट agree that it was a turning point for “Red”.
And it was a turning point in Taylor Swift’s entire career, putting her on a completely different path from what got her to where she was.
Who is Nathan Chapman that is referenced in the above quote? He is the producer who worked with Taylor तत्पर, तेज, स्विफ्ट from दिन one, recording her first demos, and presiding over virtually all of her संगीत up to Red, when a bevy of eight producers, including Chapman on certain songs, were brought in to work on, and in the Max Martin instances, co-write Taylor’s songs. Compare this to Swift’s पूर्व album Speak Now where तत्पर, तेज, स्विफ्ट wrote the entire album द्वारा herself, and produced it with help from Chapman alone.
We can’t assume that just because Max Martin has a majority stake in Taylor’s new album that there still won’t be moments of substance. The rules of the game are a little different in this instance. When Max Martin was brought in on Red, his sole purpose was to produce radio hits. Now, hypothetically, he will be employed to deal with a और diverse range of material. Still, it is concerning that Max Martin almost always insists on weaseling his way into a co-writing role of the songs he produces. This is what we saw with Red, and what we’ve seen with other Max Martin-involved projects.
What endeared Taylor तत्पर, तेज, स्विफ्ट to America and had critics coming to her defense was the fact that however pop she was, her songs were sincere expressions from her directly. She was the superstar that was also the girl अगला door. The Max Martin material from Red shattered this perception, and also resulted in significantly less industry awards and accolades from both country music, and all-genre based awards. It also resulted in some of the biggest sales numbers of Taylor Swift’s career. Choosing to go with Max Martin is about trading commercial acceptance over artistic substance.
At the same time, a complete cutoff from the country संगीत realm makes a lot of sense for Taylor Swift. What are the two biggest criticisms Taylor has faced over her career? That she can’t sing, and she’s not country. Since her debacle on the Grammy Awards with Stevie Nicks in 2010, Taylor has at least reined in her गाना problems to some extent. And if she leaves country, this will put this long-suffering वाद-विवाद about if she’s country या not to बिस्तर for good.
So that’s good, right? Let Taylor तत्पर, तेज, स्विफ्ट go. Let the pop world have her …. Except that she was one of the genre’s last female stars that could do battle with the men who have dominated the charts and radio, and despite the Max Martin-produced material from her last album and her early material that lacked maturity, Taylor तत्पर, तेज, स्विफ्ट was one of the last vestiges of artistic substance mainstream country संगीत could boast, even if she was in the genre artificially.
Country संगीत lacks female talent. It can’t fill out the nominees for Female Vocalist of the साल at the CMA and ACM Awards even when Taylor तत्पर, तेज, स्विफ्ट is included. All signs point to Taylor तत्पर, तेज, स्विफ्ट wanting to shake free from her country संगीत bonds, with the singles she released from Red, and now these कोट्स from Borchetta that in many respects don’t seem to be taking into account the realities of country radio. But there’s no guarantee country संगीत is willing to play ball with Taylor Swift’s departure. Country संगीत needs Taylor Swift, and it will be unwilling to forfeit the opportunity to have her sales and touring force fall under its umbrella without a fight.
If Taylor तत्पर, तेज, स्विफ्ट is truly leaving country, it’s hard to declare a victory for country संगीत here, या for Taylor Swift. Without the support of country, and with the presence of Max Martin, there’s likely going to be a lot less trophies adorning Taylor’s mantle. At the same time Taylor तत्पर, तेज, स्विफ्ट is now free to do what she wants …. या what Max Martin wants to do with her.
Predictions:
Taylor तत्पर, तेज, स्विफ्ट will make an announcement about her new album in late July, या early August.
The new album will be released in October, या early November.
There will be at least one collaboration with Justin Timberlake on the new album.
It will include about 15 to 18 songs.
Despite Scott Borchetta’s rhetoric, country radio will still play Taylor Swift, and with a lack of other leading females to fill the spots, तत्पर, तेज, स्विफ्ट will still get nominated for country music’s चोटी, शीर्ष female awards."
See, as आप may know that Trigger, a person who owns Saving Country संगीत talks about why Taylor तत्पर, तेज, स्विफ्ट is leaving country संगीत for good and he can do to make country संगीत needs Taylor तत्पर, तेज, स्विफ्ट back. Well, according to the article, which I कहा called Taylor तत्पर, तेज, स्विफ्ट Is Leaving Country. But Will Country Let Her?, there's no plans for Taylor तत्पर, तेज, स्विफ्ट to return to the country संगीत department. Even if country radio can still play Taylor तत्पर, तेज, स्विफ्ट allowing her to still get nominated for country music’s चोटी, शीर्ष female awards, country संगीत has no plans for Taylor तत्पर, तेज, स्विफ्ट and her country songs like Begin Again. I guess country संगीत has moved on to other country संगीत records like Miranda Lambert and Dolly Parton. It would be cool if pop radio can play every single Taylor तत्पर, तेज, स्विफ्ट country single like Picture To Burn, Ours and Sparks Fly. That would be pretty cool if Taylor Swift's country songs like Tim McGraw and Mean can be played on pop radio. I guess country radio will never want to play Taylor तत्पर, तेज, स्विफ्ट again. I think pop radio needs to play her country songs like Red just for fun. That would be something that Taylor तत्पर, तेज, स्विफ्ट was looking for. Plus, all Taylor तत्पर, तेज, स्विफ्ट संगीत वीडियो has a pop category on Vevo. Even on her country वीडियो too like The Best Day. I want to see Highway Don't Care on pop radio one day. OK, let's हटाइए on.
It seems that PopDust has made an लेख called Max Martin Produced ‘Most Of’ Taylor Swift’s New Album. It says that, the लेख represents most Taylor तत्पर, तेज, स्विफ्ट songs were produced द्वारा Max Martin. So let's take a look and what PopDust has to say about that.
Link taken from the article: link
"Taylor तत्पर, तेज, स्विफ्ट always walked a thin line between country and pop संगीत up until 2012′s Red, which और या less marked the completion of her transformation from sweet country songstress to the biggest pop superstar on the planet. प्रशंसकों who were hoping that the top-forty-friendly Red was just a phase for Tay Tay might be disappointed द्वारा her upcoming fifth studio album, with a हाल का लेख in Rolling Stone hinting that the record could be her poppiest work to date.
“I Knew आप Were Trouble” and “22″ hitmaker Max Martin has apparently worked “on most of” Tay Tay’s new album, while Scott Borchetta –who discovered Taylor and heads her label, Big Machine Records– कहा that he doesn’t expect country radio to play her new pop songs.
“Taylor प्रशंसकों are going to प्यार it,” Borchetta कहा about the new album. “Will country stations play a complete pop song just because it’s her? No. But when she comes to town, her फ्रेंड्स at country radio will come and see her.”
After climbing to the चोटी, शीर्ष of the musical खाना chain with the quadruple-platinum Speak Now and Red, आप can’t really blame Taylor for not wanting to return to being a crossover country artist like Carrie Underwood and Kacey Musgraves — even if it does mean that her new tunes lack the charm of her earlier work.
आप know what would be perfect? If Max Martin made a bunch of country-pop fusion songs for Taylor just like his underrated Carrie Underwood production, “Quitter.” That’d be a win for everybody."
There आप go. I'm happy to see Max Martin working with Taylor तत्पर, तेज, स्विफ्ट again. No और लेखन songs about boys. Try something new each time. OK, that's it for this article.
So what do आप think? Are आप exciting to see Taylor तत्पर, तेज, स्विफ्ट releasing her fifth album? Do आप want Taylor तत्पर, तेज, स्विफ्ट to not include her country संगीत on her upcoming fifth album? Would आप like to see Taylor Swift's country songs played on pop radio या other pop stations? Sound off below!
In my पूर्व article, I talk about Taylor Swift's first song, Tim McGraw which came out in 2006 and what we could do to have her first single from 2006 played on pop stations this year.
Now, as आप may know that there will be no और country संगीत for Taylor Swift. Is that true? Well, to me, I loved Taylor तत्पर, तेज, स्विफ्ट making country music. I प्यार Taylor Swift's 3 albums from 2006-2010 which includes her सेकंड album, Fearless and my personal favorite, Speak Now. I am really anticipating to for Taylor Swift's fifth album. This will not only be Taylor Swift's first album without any country संगीत but also the first no-country album made द्वारा Big Machine Records. The problem is that Taylor तत्पर, तेज, स्विफ्ट is still marketable in the country market. But it would be cool if country market can get rid of Taylor तत्पर, तेज, स्विफ्ट allowing the pop market to add Taylor Swift. Taylor तत्पर, तेज, स्विफ्ट would be a great addition to the pop market. That's way, pop market will have the whole Taylor तत्पर, तेज, स्विफ्ट franchise to itself. Which means, pop radio can play her country संगीत (something that country प्रशंसकों prefer over her pop counterparts). Her country संगीत is perfect for संगीत listeners who never listen to country music. Let's continue.
I would like Taylor Swift's upcoming album to not have any country संगीत and goes straight pop. So I was thinking that I want her pop संगीत to go with the pop-rock route rather than just plain pop या pop-country (or country-pop). I hope Taylor Swift's pop songs will go back to the pop-rock routes and have an awesome electric गिटार sound. Let's hope Big Machine Records can make a pop संगीत label department outside of Nashville. Plus, Taylor तत्पर, तेज, स्विफ्ट would be a perfect time to tackle new genres. Yes, she needs to tackle new genres beside just country and pop. She can make a rap song, she cam make a rock song, she can make an rnb song. That would be awesome. Have Taylor तत्पर, तेज, स्विफ्ट make new non-country outputs द्वारा tackling different genres and put them on her pop albums. That way, her pop albums will not only include genres but other genres not named country too like rnb.
I went to a website called Saving Country संगीत and I just saw an लेख called Taylor तत्पर, तेज, स्विफ्ट Is Leaving Country. But Will Country Let Her? on this website. Let's take a look shall we?
Link taken from the article: link
"Welp, that’s that. Gauging from the टिप्पणियाँ made in Rolling Stone‘s current country संगीत special edition द्वारा the CEO of Big Machine Records aka the Country संगीत Antichrist Scott Borchetta, we can now put a period at the end of Taylor Swift’s pop country career. Finito. Done. End of story. Taylor Swift’s country run is in the books, and she’s now a pop तारा, स्टार exclusively.
And for the प्यार of God people, please don’t tell me she was never country to begin with. That goes without saying.
In the Rolling Stone लेख currently on newsstands, Scott Borchetta is quoted as saying that Swedish pop producer Max Martin, the man behind Taylor Swift’s last album Red‘s most pop-oriented material like “We Are Never Ever Getting Back Together” and “I Knew आप Were Trouble”, worked on “most of her” अगला album. Martin was the producer behind successful pop संगीत franchises such as The Backstreet Boys, N’Sync, and Britney Spears before being brought onto the तत्पर, तेज, स्विफ्ट team at Scott Borchetta’s behest. But Martin, along with his fellow Swedish collaborator Shellback, only worked on three of the sixteen total songs on Swift’s Red album, despite their footprint feeling much bigger because the partnership comprised the album’s two biggest singles.
Scott Borchetta says in the लेख about Swift’s new album, “Taylor प्रशंसकों are going to प्यार it. Will country stations play a complete pop song just because it’s her? No.” This quote is then reinforced in a caption under a picture of Scott Borchetta and Taylor तत्पर, तेज, स्विफ्ट together.
So much can be read into this quick statement from Borchetta. A man who is known for brevity and measuring his words, Borchetta alludes to us that there will be little, या potentially nothing about Taylor Swift’s new album, या at least the singles that will be targeted for radio, that country radio will find enticing; so much so that he predicts that a format that has moved so dramatically in a pop direction in the two years since Taylor’s last release, and especially in just the last six to nine months since a major Taylor तत्पर, तेज, स्विफ्ट single, will still be completely unwelcoming to Taylor Swift’s new material. That is how pop it is. और pop than Jerrod Nieman’s “Drink To That All Night” या Luke Bryan’s “That’s My Kind Of Night”. और pop than “We Are Never Ever Getting Back Together”. If this estimate of Taylor Swift’s new material is accurate, and if country programmers will be able to resist the urge to play Taylor to audiences as her Big Machine-backed singles blow up on चोटी, शीर्ष 40 stations, then yes, it truly is time for country to say bon voyage to Taylor.
Then Scott Borchetta tells Rolling Stone, “But when she comes to town, her फ्रेंड्स at country radio will come and see her.” This seems to allude that Borchetta and Taylor तत्पर, तेज, स्विफ्ट don’t think they even really need country radio anymore, they’re planning without it, and can trump radio politics with the strength of Taylor’s touring might. They care so little about the acceptance of Taylor’s संगीत द्वारा country, they’re downright flippant, unconcerned about it. And clearly these कोट्स are buttering up the public so when Taylor releases her first purely pop single, it doesn’t come as a complete shock. Though would it anyway, दिया her track record with Red?
There’s a couple of other interesting nuggets from the same small portion of the Rolling Stone piece talking about Taylor’s new album. Though the premise of the conversation is about how Scott Borchetta, unlike many of his संगीत Row bunk mates, actually extends quite a bit of creative latitude and freedom to his artists, it is also reinforced in the लेख that it was Borchetta’s idea to bring big pop producer Max Martin into Taylor Swift’s creative process in the first place.
“He’s allowed me to evolve on my own one साल at a time,” तत्पर, तेज, स्विफ्ट says about Borchetta to Rolling Stone, but the very अगला line in the लेख says, “But he did urge her [Taylor] to collaborate with Max Martin on her last album.”
This Max Martin decision is the arguably the most important, most defining moment in Taylor Swift’s entire career up to this point, and interestingly enough, it wasn’t instigated द्वारा her. It was Scott Borchetta that made the decision to bring Max Martin in, and the result has been a big shift from substantive songwriting with country pop flavor, to the pop-only, vapid stylings of Max Martin, bringing in dub-step and other influences completely foreign to country music, and resulting in shallow compositions like “We Are Never Ever Getting Back Together.” Of course Taylor तत्पर, तेज, स्विफ्ट is not completely innocent in this dramatic, and defining career shift, but its origination point is undoubtedly Borchetta.
The story of Scott Borchetta barging in on Taylor Swift’s creative process during the making of Red in late 2012 was chronicled द्वारा Billboard:
“I said, ‘You know, this song isn’t working yet.’ They both looked at me (Swift and Nathan Chapman) with a blank stare. ‘The chorus isn’t elevating like it needs to. Where you’re wanting to take the song, it’s not going there. It needs a Max Martin type of lift.”
… At that point Borchetta called Martin. Both Borchetta and तत्पर, तेज, स्विफ्ट agree that it was a turning point for “Red”.
And it was a turning point in Taylor Swift’s entire career, putting her on a completely different path from what got her to where she was.
Who is Nathan Chapman that is referenced in the above quote? He is the producer who worked with Taylor तत्पर, तेज, स्विफ्ट from दिन one, recording her first demos, and presiding over virtually all of her संगीत up to Red, when a bevy of eight producers, including Chapman on certain songs, were brought in to work on, and in the Max Martin instances, co-write Taylor’s songs. Compare this to Swift’s पूर्व album Speak Now where तत्पर, तेज, स्विफ्ट wrote the entire album द्वारा herself, and produced it with help from Chapman alone.
We can’t assume that just because Max Martin has a majority stake in Taylor’s new album that there still won’t be moments of substance. The rules of the game are a little different in this instance. When Max Martin was brought in on Red, his sole purpose was to produce radio hits. Now, hypothetically, he will be employed to deal with a और diverse range of material. Still, it is concerning that Max Martin almost always insists on weaseling his way into a co-writing role of the songs he produces. This is what we saw with Red, and what we’ve seen with other Max Martin-involved projects.
What endeared Taylor तत्पर, तेज, स्विफ्ट to America and had critics coming to her defense was the fact that however pop she was, her songs were sincere expressions from her directly. She was the superstar that was also the girl अगला door. The Max Martin material from Red shattered this perception, and also resulted in significantly less industry awards and accolades from both country music, and all-genre based awards. It also resulted in some of the biggest sales numbers of Taylor Swift’s career. Choosing to go with Max Martin is about trading commercial acceptance over artistic substance.
At the same time, a complete cutoff from the country संगीत realm makes a lot of sense for Taylor Swift. What are the two biggest criticisms Taylor has faced over her career? That she can’t sing, and she’s not country. Since her debacle on the Grammy Awards with Stevie Nicks in 2010, Taylor has at least reined in her गाना problems to some extent. And if she leaves country, this will put this long-suffering वाद-विवाद about if she’s country या not to बिस्तर for good.
So that’s good, right? Let Taylor तत्पर, तेज, स्विफ्ट go. Let the pop world have her …. Except that she was one of the genre’s last female stars that could do battle with the men who have dominated the charts and radio, and despite the Max Martin-produced material from her last album and her early material that lacked maturity, Taylor तत्पर, तेज, स्विफ्ट was one of the last vestiges of artistic substance mainstream country संगीत could boast, even if she was in the genre artificially.
Country संगीत lacks female talent. It can’t fill out the nominees for Female Vocalist of the साल at the CMA and ACM Awards even when Taylor तत्पर, तेज, स्विफ्ट is included. All signs point to Taylor तत्पर, तेज, स्विफ्ट wanting to shake free from her country संगीत bonds, with the singles she released from Red, and now these कोट्स from Borchetta that in many respects don’t seem to be taking into account the realities of country radio. But there’s no guarantee country संगीत is willing to play ball with Taylor Swift’s departure. Country संगीत needs Taylor Swift, and it will be unwilling to forfeit the opportunity to have her sales and touring force fall under its umbrella without a fight.
If Taylor तत्पर, तेज, स्विफ्ट is truly leaving country, it’s hard to declare a victory for country संगीत here, या for Taylor Swift. Without the support of country, and with the presence of Max Martin, there’s likely going to be a lot less trophies adorning Taylor’s mantle. At the same time Taylor तत्पर, तेज, स्विफ्ट is now free to do what she wants …. या what Max Martin wants to do with her.
Predictions:
Taylor तत्पर, तेज, स्विफ्ट will make an announcement about her new album in late July, या early August.
The new album will be released in October, या early November.
There will be at least one collaboration with Justin Timberlake on the new album.
It will include about 15 to 18 songs.
Despite Scott Borchetta’s rhetoric, country radio will still play Taylor Swift, and with a lack of other leading females to fill the spots, तत्पर, तेज, स्विफ्ट will still get nominated for country music’s चोटी, शीर्ष female awards."
See, as आप may know that Trigger, a person who owns Saving Country संगीत talks about why Taylor तत्पर, तेज, स्विफ्ट is leaving country संगीत for good and he can do to make country संगीत needs Taylor तत्पर, तेज, स्विफ्ट back. Well, according to the article, which I कहा called Taylor तत्पर, तेज, स्विफ्ट Is Leaving Country. But Will Country Let Her?, there's no plans for Taylor तत्पर, तेज, स्विफ्ट to return to the country संगीत department. Even if country radio can still play Taylor तत्पर, तेज, स्विफ्ट allowing her to still get nominated for country music’s चोटी, शीर्ष female awards, country संगीत has no plans for Taylor तत्पर, तेज, स्विफ्ट and her country songs like Begin Again. I guess country संगीत has moved on to other country संगीत records like Miranda Lambert and Dolly Parton. It would be cool if pop radio can play every single Taylor तत्पर, तेज, स्विफ्ट country single like Picture To Burn, Ours and Sparks Fly. That would be pretty cool if Taylor Swift's country songs like Tim McGraw and Mean can be played on pop radio. I guess country radio will never want to play Taylor तत्पर, तेज, स्विफ्ट again. I think pop radio needs to play her country songs like Red just for fun. That would be something that Taylor तत्पर, तेज, स्विफ्ट was looking for. Plus, all Taylor तत्पर, तेज, स्विफ्ट संगीत वीडियो has a pop category on Vevo. Even on her country वीडियो too like The Best Day. I want to see Highway Don't Care on pop radio one day. OK, let's हटाइए on.
It seems that PopDust has made an लेख called Max Martin Produced ‘Most Of’ Taylor Swift’s New Album. It says that, the लेख represents most Taylor तत्पर, तेज, स्विफ्ट songs were produced द्वारा Max Martin. So let's take a look and what PopDust has to say about that.
Link taken from the article: link
"Taylor तत्पर, तेज, स्विफ्ट always walked a thin line between country and pop संगीत up until 2012′s Red, which और या less marked the completion of her transformation from sweet country songstress to the biggest pop superstar on the planet. प्रशंसकों who were hoping that the top-forty-friendly Red was just a phase for Tay Tay might be disappointed द्वारा her upcoming fifth studio album, with a हाल का लेख in Rolling Stone hinting that the record could be her poppiest work to date.
“I Knew आप Were Trouble” and “22″ hitmaker Max Martin has apparently worked “on most of” Tay Tay’s new album, while Scott Borchetta –who discovered Taylor and heads her label, Big Machine Records– कहा that he doesn’t expect country radio to play her new pop songs.
“Taylor प्रशंसकों are going to प्यार it,” Borchetta कहा about the new album. “Will country stations play a complete pop song just because it’s her? No. But when she comes to town, her फ्रेंड्स at country radio will come and see her.”
After climbing to the चोटी, शीर्ष of the musical खाना chain with the quadruple-platinum Speak Now and Red, आप can’t really blame Taylor for not wanting to return to being a crossover country artist like Carrie Underwood and Kacey Musgraves — even if it does mean that her new tunes lack the charm of her earlier work.
आप know what would be perfect? If Max Martin made a bunch of country-pop fusion songs for Taylor just like his underrated Carrie Underwood production, “Quitter.” That’d be a win for everybody."
There आप go. I'm happy to see Max Martin working with Taylor तत्पर, तेज, स्विफ्ट again. No और लेखन songs about boys. Try something new each time. OK, that's it for this article.
So what do आप think? Are आप exciting to see Taylor तत्पर, तेज, स्विफ्ट releasing her fifth album? Do आप want Taylor तत्पर, तेज, स्विफ्ट to not include her country संगीत on her upcoming fifth album? Would आप like to see Taylor Swift's country songs played on pop radio या other pop stations? Sound off below!