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"THE HOBBIT: THE DESOLATION OF SMAUG" (2013) Review

The सेकंड part of Peter Jackson's film adaptation of J.R.R. Tolkien's 1937 कल्पना novel, "The Hobbit" recently hit the theaters. After watching it, I am amazed that I was ever against the idea of a three-film adaptation of the Tolkien's story.

Titled "THE HOBBIT: THE DESOLATION OF SMAUG", the सेकंड film began not long after the first one left off. I take that back. The movie began with a flashback featuring a meet between the wizard Gandalf the Gray and the Dwarf prince, Thorin Oakenshield at the Prancing टट्टू Tavern in Bree. Those familiar with the trilogy, will remember that Froddo Baggins and his fellow Hobbits were supposed to meet Gandalf at the Prancing टट्टू and ended up meeting Strider aka Aragon, future king of Gondor. The audiences learn in this flashback that it was Gandalf, who originally kickstarted the adventure द्वारा convincing Thorin to obtain the Arkenstone in order to unite the Dwarves of the Lonely Mountain.

Finally, the story begins where the last movie left off, with Gandalf, Bilbo Baggins and the Dwarves evading the Orc chieftain Azog and his party. They eventually seek shelter at the घर of a shapeshifter named Beorn, before they make their way to the Milkwood forest. There, Gandalf parts company with the others after discovering Black Speech graffiti imprinted on an old ruin. He heads toward the tombs of the Nazgûl in Dol Guldur, to investigate with fellow wizard Radagast. Meanwhile, Bilbo and the Dwarves get लॉस्ट in the Milkwood forest and eventually captured द्वारा giant spiders. Using the One Ring to render himself invisible, Bilbo manages to free the Dwarves from the spiders' webs. However, they end up being captured द्वारा a party of Wood Elves led द्वारा Legolas and Tauriel, who finish off the spiders. During the Dwarves' captivity, Thorin gets into a conflict with the Wood Elves' king, Thranduil; Kili becomes attracted to the Elves' Chief of Guards, Tauriel. Again, Bilbo comes to the Dwaves' rescue and help them escape, with their Orc pursuers close at their heels. And with the help of a barge man named Bard the Bowman (who is also a descendant of the last king of Dale), the travelers not only reach Lake-town, but eventually the Lonely Mountain and Smaug. Unbeknownst to Bilbo, Thorin and the other Dwarves, Gandalf is captured द्वारा the Necromancer of Nazgûl, who reveals himself as the Dark Lord Sauron.

Many प्रशंसकों and critics tend to view "THE HOBBIT: THE DESOLATION OF SMAUG" as superior to the first movie in this new trilogy, "THE HOBBIT: AN UNEXPECTED JOURNEY". If I have to be brutally honest, I do not particularly share this view. On the other hand, I do not regard the first "HOBBIT" movie as superior to this सेकंड one. I really cannot make up my mind on which film is better. "THE DESOLATION OF SMAUG" does not have a first act that takes its time in introducing the character. On the other hand, "AN UNEXPECTED JOURNEY" does not have an abrupt ending. And both films, in my opinion, are well written द्वारा screenwriters Jackson, Philippa Boyens, Fran Walsh and Guillermo del Toro. It featured further development of the major characters, development of the main narrative and some superb action sequences.

Before I wax lyrical over "THE HOBBIT: THE DESOLATION OF SMAUG", I might as well टिप्पणी दे over its shortcomings. Thankfully, there are only a few. Two of them featured characters from the Wood Elves - Legolas and Tauriel. Orlando Bloom returned to portray the sixty years younger Legolas for this new trilogy. However, Bloom is over a decade older than he was when he portrayed the older Legolas. I wish I could say that he looked young enough to portray the younger Legolas. But I would be lying. And I am not being shallow. Bloom looked great. But I could tell that he looked older than he did in the "LORD OF THE RINGS" trilogy. And for me, this did not gel very well, considering that he was portraying the same character at a younger age. I also had a problem with the new character, Tauriel, Chief Guard for the Wood Elves. I understand that she was created द्वारा Jackson and the other screenwriters, due to the dearth of female characters in this story's chapter. Quite frankly, I have no problem with this, unlike the Tolkien "purists". But there were times when I found her character a little too ideal. It is great that she is a badass. But aside from an initial दिखाना of bigotry toward the Dwarves, there seemed to be a lack of flaws in Tauriel's characterization. Not only is she a badass fighter, she is the only Elf who seemed to be aware of a growing evil throughout Middle Earth and believes something should be done about it. Tauriel is practically a borderline "Mary Sue". And like many moviegoers, I found the movie's final scene rather perplexing. I realize that "THE DESOLATION OF SMAUG" is only the सेकंड of three movies. But Jackson had ended पूर्व Tolkien फिल्में - aside from "LORD OF THE RING: RETURN OF THE KING" - with the conclusion of a major action sequence. I had expected him to resolve the matter of Smaug before moving on to the last chapter of "THE HOBBIT". He did not. And because of this, the movie ended on an erupt note.

As I had earlier stated, I cannot view "THE DESOLATION OF SMAUG" as superior to "AN UNEXPECTED JOURNEY". On the other hand, I definitely do not view this सेकंड film as inferior to the first. First of all, it benefited from the establishment of the main characters and main narrative from the first film. I also have to give kudos to Peter Jackson for maintaining a steady pace throughout the movie - in both the action and dramatic sequences. I find that very impressive for a movie with a running time of two hours and forty-one minutes. The movie also continued Jackson's track record with impressive production designs. I was especially impressed द्वारा Dan Hennah's work for the Mirkwood Elves Realm, Lake-wood and the Lonely Mountain interior sequences. The costumes designed द्वारा Bob Buck, Ann Maskrey and Richard Taylor struck me as beautiful . . . especially those designed for the Wood Elves. I cannot forget Andrew Lesnie's beautiful फोटोग्राफी of New Zealand, which served as Middle Earth. And the makeup designs for the Dwaves characters and the Elves continued to impress me. But I cannot forget the visual effects used in this film. Most of the faces for the Orcs were computer generated, and I must say that I found that impressive. The visual effects team also did exceptional work for the Dol Guldur sequences - especially with Gandalf's encounter with Sauron. And despite my dislike of spiders, I was also impressed द्वारा the visual work on the Milkwood Forest sequence that featured the protagonists' encounters with the deadly beasts. But the one sequence that stands above the others - at least for me - proved to be Bilbo and the Dwarves' encounter with the dragon Smaug. How can I put it? I found it breathtaking, mesmerizing . . . and extremely frightening. The visual creation of Smaug truly have to be the movie's pièce de résistance. Benedict Cumberbatch's superb voice performance greatly added to the terror . . . and I am being complementary.

However, "THE HOBBIT: THE DESOLATION OF SMAUG" was not all about visual effects. The movie also featured some top-notch action sequences and superb dramatic moments. Not even my negative opinion of spiders could blind me from the first-rate sequence that featured the Milwood Elves' rescue of Bilbo and the Dwarves. It was an especially good moment for actors Orlando Bloom and Evangeline Lilly. Martin Freeman, Richard Armitage and those actors who portrayed the Dwarves had their chance to really shine in that outstanding sequence featuring Smaug within the great halls of Erebor. But my प्रिय action sequence featured Bilbo and the Dwarves' escape from Wood Elves' realm द्वारा traveling along a river inside empty wine barrels. Not even that brief, silly moment that featured Legolas balancing on the heads of two Dwarves, while fighting the pursuing Orcs could mar my enjoyment of that scene. If Jackson ever consider opening an amusement park, he might want to consider that sequence as an inspiration for an attraction. However, "THE DESOLATION OF SMAUG" was not all action and no drama. The movie certain featured some fine dramatic scenes. My प्रिय include two scenes featuring the growing romance between the Dwarf Kili and the Elf Guard Tauriel, Bilbo's cat-and-mouse session with Smaug, and a wonderful moment in which Thorin manages to convince the citizens of Lake-town to support the Dwarves' efforts to reclaim Erebor. But if there is one scene that really impressed me, it happened to be the stormy confrontation between the two leaders, Thorin and Thranduil, within the latter's realm. I feel it was the dramatic highlight of the movie, thanks to superb performances from Richard Armitage and Lee Pace.

Speaking of performances . . . I really cannot say there was one that failed to impress me. Although I had some criticisms of the Legolas and Tauriel characters, I certainly had none regarding the two performers who portrayed them. Granted, Orlando Bloom may have been a bit old for portraying the younger Legolas, I must admit that I found his अभिनय in this movie a lot और impressive than in the "LORD OF THE RINGS". His Legolas in this film was a bit darker and और complex. And Bloom rose to the occasion perfectly. Evangeline Lilly's portrayal of Tauriel was probably one of the best things in this movie. She has certainly come a long way since her early years as an actress. Tauriel might have been something of a "Mary Sue", Lilly certainly injected a great deal of brilliance and excitement into the character. And she had great screen chemistry with Aidan Turner, who portrayed the youngest member of Thorin's Dwarf band - Kili. Turner, who was such fun in the first "HOBBIT" film, did a marvelous job as the lovesick Kili. I especially enjoyed his one scene in which the barely conscious Kili not only poignantly expressed his प्यार for Tauriel, but also his self-doubts about her feelings for him. Lee Pace added another eccentric character to his gallery of roles as the arrogant king of the Wood Elves, Thranduil. Mind you, Pace went out of his way to express Thranduil's desire to protect his people from the growing evil. But he also did such a marvelous job in expressing Thranduil's showy personality and arrogance.

Luke Evans made his debut in the trilogy as Bard the Bowman, an archer and descendant of the lords of Dale. And he was fantastic. Evans captured a great deal of the character's grim charisma and presence with great ease. Some of the other actors who portrayed the Erebor Dwarves certainly made their presence felt in this film. Graham McTavish was deliciously surly as the aggressive Dwalin, the first Dwarf that Bilbo ever met. Ken Stott continued his outstanding portrayal of the elderly and very wise Balin. Dean O’Gorman continued his strong chemistry with Aidan Turner as Fili, Kili's older brother. Stephen Hunter got to shine as the overweight Dwarf, Bombur. After his character was treated as a joke in the first film, Hunter had a great heroic moment when his character fought off several Orcs during the flight from the Milkwood Palace. Stephen Fry appeared in the film as the Master of Lake-town and gave a deliciously nasty performance as the self-involved and greedy leader of the community near the Lonely Mountain. In fact, I cannot recall him portraying such a negative character before. He should do it और often.

Ian McKellen continued his elegant portrayal of the wizard Gandalf the Gray. Like the सेकंड film in the "LORD OF RINGS" trilogy, his appearance was और limited than it was in the first. But he had some marvelous moments during the sequence that featured Gandalf's visit to Dol Guldur. Martin Freeman's portrayal of Bilbo Baggins developed in a way that I found both satisfying and disturbing. I have to give Freeman kudos in the subtle manner in which he conveyed Bilbo's growing confidence in his role as a member of Thorin's company. At the same, audiences could see the growing negative imapact of the One Ring upon his character . . . especially in the Milkwood Forest sequence. Bilbo's character was not the only one growing increasingly darker. As much as I enjoyed Viggo Mortensen's portrayal of the heroic Aragon in the "LORD OF THE RINGS" trilogy, I must admit that I find Richard Armitage's portrayal of Thorin Oakenshield और rewarding. The character is so rich in its complexity and Armitage does a superb job in portraying the Dwarf prince's moral ambiguity. I found it interesting that in this सेकंड film, Thorin begins to rely a lot और on Bilbo to help the company through its travails. Yet, the closer the company reaches its goal in Erebor, the darker Thorin's personality becomes. It is fascinating to watch Armitage take this character down a dark road.

It is a pity that "THE HOBBIT" trilogy has not garnered as much critical acclaim as the "LORD OF THE RINGS" movies. Quite frankly, I find them और enjoyable to watch. Unlike the trilogy from a decade ago, the two "HOBBIT" फिल्में have managed to और than satisfy me. "THE DESOLATION OF SMAUG" may have possessed a few flaws, but it kept me fully entertained and fascinated right to the end. Right now, Peter Jackson seemed to be on a roll with this सेकंड trilogy. I only hope that the third and last film will not disappoint me.
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"BAND OF ANGELS" (1957) Review

I have been a प्रशंसक of period dramas for a long time. A very long time. This is only natural, considering that I am also a history buff. One of the topics that I प्यार to explore is the U.S. Civil War. When आप combined that topic in a period drama, naturally I am bound to get excited over that particular movie या टेलीविज़न production.

I have seen a good number of टेलीविज़न and movie productions about the United States' Antebellum period and the Civil War. One of those productions is "BAND OF ANGEL", an adaptation of Robert Warren Penn's 1955 novel set during the...
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Stars: 2+/5

I watched this adaptation of Jane Eyre yesterday and I have to admit that I did have great expectations for this one. However, I was rather disappointed than rewarded for watching it.

As a girl I was a huge Jane Eyre प्रशंसक and I used to read the book 3 या 4 times per year. The truth is that when I first read it I was too young to actually understand all the important issues, like social class, gender relations,

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RELEASE OF OLD BBC PRODUCTIONS

Since the release of the 1975 miniseries "NORTH AND SOUTH" in 2013, I have found myself wondering about other BBC productions from the 1960s and 1970s.

I recently discovered that the 1996 miniseries, "THE TENANT OF WILDFELL HALL" was the सेकंड adaptation of Anne Brontë's novel. The first was a 1968 miniseries that starred Janet Munro, Bryan Marshall and Corin Redgrave. I also discovered that the 1999 miniseries, "WIVES AND DAUGHTERS", was not the first adaptation of Elizabeth Gaskell's novel. The BBC aired an earlier adaptation in 1971 that starred Zhivila Roche.

Does anyone know how to contact the BBC? I would like them to consider releasing these two productions in the near future.
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