Hi everyone!
In this article, I’m going to compare two फिल्में from the डिज़्नी Revival, one revolving around a लॉस्ट princess with magical golden hair, and the other revolving around two sisters, one of whom is a क्वीन with ice powers.
Part A. Which is the "better" movie?
टैंगल्ड has a और cohesive plot and seems to me to have deeper characters that interact superbly with each other. Emotions and thoughts were successfully conveyed with an abundance of facial expressions. The hair एनीमेशन was astounding, but the skin and eyes could sometimes seem plastic-like या lifeless. The songs… sigh. Although I’m not sure any one of them could be called showstopping – unless “Mother Knows Best” had instead been sung in a higher key – I found them either beautiful, catchy, या at least humorous ("I’ve Got a Dream").
फ्रोज़न has a plot that's rather muddled, and since lots of things are happening at a very fast pace, there's less time to get to understand the characters. Interactions between them also seemed to me और unrealistic than in टैंगल्ड (ex: the time Anna and Elsa spent together before the coronation. They acted like seeing each other was nothing out of the ordinary.) Hair एनीमेशन was obviously not as good as Tangled’s, but the characters’ skin and eyes look और lifelike. (Also, the ice visuals, especially for Elsa’s गढ़, महल – fantastic.) The संगीत is a mixed batch. “Let it Go” is definitely a catchy showstopper that gets your blood running, and I thought “Do आप Want To Build a Snowman” (for the first few times of hearing it) and “Love is an Open Door” were cute, but other than that the songs were rather forgettable.
I think that objectively टैंगल्ड is the better movie because its plot flows और smoothly, its characters seemed better developed, the संगीत and score was better OVERALL, and the एनीमेशन was top-notch in terms of expressions, movement and poses.
Personally, I watched टैंगल्ड about ten times in my first week of watching it, while I was only able to sit through फ्रोज़न once, so for me, टैंगल्ड is the better movie.
But as seen द्वारा Frozen’s wild popularity, many people have a different opinion.
Part B. A Closer Look
Tangled, as Disney's 50th animated feature, encourages people to go live their dreams and confront their fears. Rapunzel would never have found her real parents nor ever known what she was missing out in the world if she had not trusted Eugene to be her guide to see the lanterns. टैंगल्ड also emphasizes that real प्यार is personally valuing somebody and putting his या her welfare before yours. It wasn’t real प्यार when Gothel brought Rapunzel the white seashell paint after a three-day-long trip. That was just to keep her occupied and inside the tower. Gothel doesn’t care how much pain Rapunzel goes through, as long as she doesn’t die and her hair doesn’t lose its power; she constantly puts Rapunzel down, stabs the only person Rapunzel finds she can trust, and plans to chain Rapunzel like an animal in a place where nobody will ever find her again. She calls up to Rapunzel “I’m not getting any younger down here” before Rapunzel lets down her hair and hoists her into the tower. Staying young is all she thinks about. Eugene, on the other hand, doesn't want Rapunzel to go through और pain than he guesses she's already experienced. When Rapunzel promises Mother Gothel that she will comply if she is allowed to heal Eugene, he knows he has to do something to keep her from living a miserable life since she will never go back on her promise, and so he chooses to cut Rapunzel's hair before she has the chance to heal him. Rapunzel is the same way – after everything they’ve been through, she can't have Eugene's death या suffering on her conscience. She's willing to sacrifice any chances she has of escape from Gothel for somebody who made her feel like a person.
टैंगल्ड also emphasizes that आप don’t have to act like somebody else to be accepted या loved या to find your dream - most of us like Eugene much better than Flynn Rider - and that people aren't always what they seem.
Frozen, like Tangled, expresses that प्यार is valuing somebody else over yourself, “melting” for somebody else. Anna and Rapunzel are similar in that for the first part of their movies, they are oblivious to what प्यार really is, albeit Rapunzel a bit और so since she only knew her parents as a baby for like a day. On Anna's first दिन out of the castle, she’s looking आगे most to the chance to meet someone – and falls head over heels for Hans. Since she's frankly been starved of attention and प्यार (and likely proper guidance) for years, she's very quick to trust somebody who seems perfect for her. फ्रोज़न whirls around and makes Hans the villain. Whereas टैंगल्ड conveys through Eugene and the thugs that people are often better than they are judged to be, फ्रोज़न conveys the exact opposite. There's way और cynicality in this film than in Tangled. Later, डिज़्नी extended "true love" to family love, and I liked that, but I don't like how they made a point of invalidating Anna's first प्यार interest and later making us think Kristoff’s going to make some helpful contribution to the story but actually giving him no weight in how the story plays out in the end. Still, in the motion of प्यार in which Anna dies to save Elsa, we get to see how loyal Anna is and how much she valued the time spent with her sister and sole friend before she was locked away. Anna and Rapunzel are again similar (actually, and also Eugene) in that they both are willing to make a huge sacrifice for the sole somebody they realize accepted them for what they were and made them feel special.
फ्रोज़न also stresses that a balance must be struck between worrying about others and worrying about oneself, and that people must take definitive action to solve their problems. Elsa was initially too worried that she might accidentally hurt या kill somebody with her ice powers, and consequently suffered as a result of being isolated in her room for most of her childhood. And then it flipped to the other extreme in “Let it Go,” where she's unleashing all her pent-up emotions with no regard for the kingdom she’s left behind, because “the cold never bothered me anyway” and "the past is in the past". Elsa's very turbulent (ultimately because of those rock trolls that couldn’t be bothered to teach her और about her ice powers instead of handing her over to her parents to be shut up for the rest of her childhood). She later thaws Arendelle, but only after Anna saves her life, दिखा रहा है Elsa that she was loved and that she shouldn't have squandered the valuable chance to express care and प्यार towards Anna and her people द्वारा isolating herself.
All in all, I think that टैंगल्ड was the और enjoyable and और cheerful film, while फ्रोज़न had many great moments but was और convoluted and negative at times.
Sorry for the length and I hope आप liked the article!
In this article, I’m going to compare two फिल्में from the डिज़्नी Revival, one revolving around a लॉस्ट princess with magical golden hair, and the other revolving around two sisters, one of whom is a क्वीन with ice powers.
Part A. Which is the "better" movie?
टैंगल्ड has a और cohesive plot and seems to me to have deeper characters that interact superbly with each other. Emotions and thoughts were successfully conveyed with an abundance of facial expressions. The hair एनीमेशन was astounding, but the skin and eyes could sometimes seem plastic-like या lifeless. The songs… sigh. Although I’m not sure any one of them could be called showstopping – unless “Mother Knows Best” had instead been sung in a higher key – I found them either beautiful, catchy, या at least humorous ("I’ve Got a Dream").
फ्रोज़न has a plot that's rather muddled, and since lots of things are happening at a very fast pace, there's less time to get to understand the characters. Interactions between them also seemed to me और unrealistic than in टैंगल्ड (ex: the time Anna and Elsa spent together before the coronation. They acted like seeing each other was nothing out of the ordinary.) Hair एनीमेशन was obviously not as good as Tangled’s, but the characters’ skin and eyes look और lifelike. (Also, the ice visuals, especially for Elsa’s गढ़, महल – fantastic.) The संगीत is a mixed batch. “Let it Go” is definitely a catchy showstopper that gets your blood running, and I thought “Do आप Want To Build a Snowman” (for the first few times of hearing it) and “Love is an Open Door” were cute, but other than that the songs were rather forgettable.
I think that objectively टैंगल्ड is the better movie because its plot flows और smoothly, its characters seemed better developed, the संगीत and score was better OVERALL, and the एनीमेशन was top-notch in terms of expressions, movement and poses.
Personally, I watched टैंगल्ड about ten times in my first week of watching it, while I was only able to sit through फ्रोज़न once, so for me, टैंगल्ड is the better movie.
But as seen द्वारा Frozen’s wild popularity, many people have a different opinion.
Part B. A Closer Look
Tangled, as Disney's 50th animated feature, encourages people to go live their dreams and confront their fears. Rapunzel would never have found her real parents nor ever known what she was missing out in the world if she had not trusted Eugene to be her guide to see the lanterns. टैंगल्ड also emphasizes that real प्यार is personally valuing somebody and putting his या her welfare before yours. It wasn’t real प्यार when Gothel brought Rapunzel the white seashell paint after a three-day-long trip. That was just to keep her occupied and inside the tower. Gothel doesn’t care how much pain Rapunzel goes through, as long as she doesn’t die and her hair doesn’t lose its power; she constantly puts Rapunzel down, stabs the only person Rapunzel finds she can trust, and plans to chain Rapunzel like an animal in a place where nobody will ever find her again. She calls up to Rapunzel “I’m not getting any younger down here” before Rapunzel lets down her hair and hoists her into the tower. Staying young is all she thinks about. Eugene, on the other hand, doesn't want Rapunzel to go through और pain than he guesses she's already experienced. When Rapunzel promises Mother Gothel that she will comply if she is allowed to heal Eugene, he knows he has to do something to keep her from living a miserable life since she will never go back on her promise, and so he chooses to cut Rapunzel's hair before she has the chance to heal him. Rapunzel is the same way – after everything they’ve been through, she can't have Eugene's death या suffering on her conscience. She's willing to sacrifice any chances she has of escape from Gothel for somebody who made her feel like a person.
टैंगल्ड also emphasizes that आप don’t have to act like somebody else to be accepted या loved या to find your dream - most of us like Eugene much better than Flynn Rider - and that people aren't always what they seem.
Frozen, like Tangled, expresses that प्यार is valuing somebody else over yourself, “melting” for somebody else. Anna and Rapunzel are similar in that for the first part of their movies, they are oblivious to what प्यार really is, albeit Rapunzel a bit और so since she only knew her parents as a baby for like a day. On Anna's first दिन out of the castle, she’s looking आगे most to the chance to meet someone – and falls head over heels for Hans. Since she's frankly been starved of attention and प्यार (and likely proper guidance) for years, she's very quick to trust somebody who seems perfect for her. फ्रोज़न whirls around and makes Hans the villain. Whereas टैंगल्ड conveys through Eugene and the thugs that people are often better than they are judged to be, फ्रोज़न conveys the exact opposite. There's way और cynicality in this film than in Tangled. Later, डिज़्नी extended "true love" to family love, and I liked that, but I don't like how they made a point of invalidating Anna's first प्यार interest and later making us think Kristoff’s going to make some helpful contribution to the story but actually giving him no weight in how the story plays out in the end. Still, in the motion of प्यार in which Anna dies to save Elsa, we get to see how loyal Anna is and how much she valued the time spent with her sister and sole friend before she was locked away. Anna and Rapunzel are again similar (actually, and also Eugene) in that they both are willing to make a huge sacrifice for the sole somebody they realize accepted them for what they were and made them feel special.
फ्रोज़न also stresses that a balance must be struck between worrying about others and worrying about oneself, and that people must take definitive action to solve their problems. Elsa was initially too worried that she might accidentally hurt या kill somebody with her ice powers, and consequently suffered as a result of being isolated in her room for most of her childhood. And then it flipped to the other extreme in “Let it Go,” where she's unleashing all her pent-up emotions with no regard for the kingdom she’s left behind, because “the cold never bothered me anyway” and "the past is in the past". Elsa's very turbulent (ultimately because of those rock trolls that couldn’t be bothered to teach her और about her ice powers instead of handing her over to her parents to be shut up for the rest of her childhood). She later thaws Arendelle, but only after Anna saves her life, दिखा रहा है Elsa that she was loved and that she shouldn't have squandered the valuable chance to express care and प्यार towards Anna and her people द्वारा isolating herself.
All in all, I think that टैंगल्ड was the और enjoyable and और cheerful film, while फ्रोज़न had many great moments but was और convoluted and negative at times.
Sorry for the length and I hope आप liked the article!